What's new in DaVinci Resolve 9.1.3 • FCPX 10.0.8 XAVC Quicktime workflow support • General performance and stability improvements What's new in DaVinci Resolve 9.1.1 • General performance and stability improvements What's new in DaVinci Resolve 9 - 07 september 2012 New fast-to-use interface design • Larger full color palettes with direct user access to more tools for faster grading • One click selection for fast switching between timelines • Three timeline appearance selections to show re-sizable timeline tracks and thumbnails, with optional audio waveform, flags and markers • Expandable timeline view for long edit sessions • Bigger and clearer text to ease eye strain • Drag and drop effects from the Effects Pool • Add flags to clips for quick and easy sorting and filtering • Resizable gallery stills stored and displayed in user-named albums • Includes 44 'Looks' for fast grade selection • Streamlined project import, export and selection workflow with just five screens that step you through each project • Selection of timeline available on Conform and Color page New Login, Project and Clip management tools • Scroll thumbnails to select user login or just type the user name • Browse and select projects with scrubbable thumbnail or list view • Double-click thumbnails for fast project loading • Search projects by name or format • Sort projects by name, creation, modification date or frame rate • Project count displayed per user in thumbnail and list view • Browse and select clips in the Media Library with resizable and scrubbable thumbnail or list view • Sort and search folders and clips • Hover over clip to reveal metadata • Embedded audio icon indicates which clips have audio • Media Pool now easily managed by dragging and dropping clips and bins • Media Pool now has consolidated clip attributes controls permitting concurrent modification of multiple clip elements for multiple clips • Media Pool list view now also displays input LUT, PAR, video/data level, frame rate and audio channels • Capture-from-tape includes Log and Capture, Batch Clips, and Capture-Now options • Projects can now be saved in a project-based file database with optional database server New Dailies, Audio, Conform and Editing tools • Mixed source clip frame rate support option for simplifying XML and AAF workflows • Insert, Overwrite and Edit Ripple support • Blade tool for applying multiple cuts • Support for amending timeline start timecode • Templates for user-selectable keyboard shortcuts matching popular editing functions • Support for speed warps from FCP XML and Avid AAF with handles • Ability to auto-import AMA linked Red R3D clips with AAF • Trim RED R3D clips to new extents with handles • 100+ production metadata fields for entering on set shot notes • Add flags and markers to clips for fast and easy location and sorting • Audio playback support for up to 16 channels per source clip and PCM audio rendering in both QuickTime and MXF • Dual-system audio auto-sync via timecode to match multiple video clips • High precision dual-scale audio waveform display in source viewer • Playback of BWF and embedded audio clips with audio waveform display • Support for RF64 format for BWF enabling files larger than 4GB • 16 channel audio meters with selectable dB and dBu scale • User-selectable reference alignment levels for dBu scale • Audio output is available when scrubbing on the Conform page timeline • Master and Default timelines can now be sorted in timecode order or reel name and timecode order • Additional option to use filename as reel name • Optional automatic creation of the Master timeline to match the Media Pool • Timelines can now be renamed New Color Correction tools • New Log, Camera Raw, Stereoscopic 3D, Tracker, Sizing and Data Burn-in palettes for faster access and grading • Log grading includes Lowlight, Midtone, Highlight and Offset in every corrector node concurrent with traditional DaVinci 3-way grading • Log palette also includes Contrast and Pivot with low and high range controls • One click generation of LUTs from the clip grade • Nodes can now be named; linking nodes is much faster • External Matte node now includes an RGB output that you can connect to a corrector node (for grain and effects addition etc.) • Primary Control palettes now includes Master Gain • Camera Raw palette offers real time direct control with Image Debayer and Decode settings optionally saved as a part of the grade version • Window and Key palettes display the selected windows, key shape and position • Tracker palette displays editable keyframe timeline • Stereoscopic 3D palette offers Floating Windows and also separate Viewer, Monitor and Waveform Mesh selections • Additional and faster automatic stereo 3D image alignment tool • Data Burn-ins palette for source clip and traditional track burn-ins now includes multiple custom text and logos and user selectable fade up and down times • Sort and filter thumbnail timeline shots by flags, markers shots modified recently • Clips in the RGBA format can now use the Alpha channel for matte • Alpha clip type is selectable for each source clip • Input LUTs are selectable for each source clip • Easy application of Gallery memory/still grade to multiple clips • Version name presets to improve selection speed and accuracy • Double click timeline thumbnail version name to see clip codec • Clip details window now includes EDL comments, clip description and notes • Improved tracker accuracy with non-square PAR images • ACES v0.1.1 support • ADX10 IDT support New Viewer modes • Automatic switchable viewer to SDI video output with synced audio • Full screen viewer mode for accurate review of Windows and Qualifiers • New cinema mode offers a clean full screen so you can sit back and enjoy a preview of graded material • Dedicated screen for creating rendered deliverables includes large viewer and timeline • Video scopes now available in 1, 2 and 4 up display, including optimized trace display • Video scopes include pan and tilt control using the mouse scroll function and Option/ Alt + scroll for zoom • Video scopes include a 4:3 and 16:9 aspect ratio option • Skin tone indicator on the Vectorscope • 4K monitoring with DeckLink Quad SDI • Viewer option to display RGB picker pixel value New Deliver screen for rendering and edit-to-tape • User-configurable easy setups can now be saved and recalled • Concurrent renders can be generated for multiple format dailies deliverables • Simple text name burn-in for dailies deliverables • Force Highest Quality Debayer and Resizing setting when rendering clips • When in Source render mode, clips can be rendered with a specific starting frame number • Batch Render Queue shows job status • Edit-to-Tape mode for fast transfer of jobs to tape • Support for Anaglyph stereoscopic 3D rendering • Support for timeline filters to select clips for render New and improved codec support • Encoding and decoding DNxHD in a QuickTime wrapper • Improved decoder performance for uncompressed MXF on Linux • Improved CinemaDNG, ARRI Alexa and Sony F65 debayer performance • Canon C500 camera codec support • Improved Phantom Cine decoder • Support for QuickTime Animation decode • Support for MXF OP-Atom XDCAM MPEG2 encode New performance optimization • Resolve for Mac is now a 64-bit app for faster operation with more clips • Improved performance for single GPU systems • Optimized display mode during playback improves speed for reduced performance systems • Dramatically increased render speeds for a number of codecs • Hot plug and play for external USB drives on Mac OS X • GateKeeper signature for Mountain Lion security support • General performance and stability improvements -------------------------------------------------------------------------------------------- What's new in DaVinci Resolve Lite 8.2.1 06/07/2012 • FCP X support for XMLs with multi-cam and compound clips • RedGamma3 and RedColor3 support for R3D files • RED HDRx Magic Motion support • Sony F65 Raw options for S-Log, P3, Rec.709, 2.4 and 2.6 gamma • CinemaDNG options for Rec.709, 2.4 and 2.6 gamma, color temperature and ISO • Mac OS X Lion 10.7.4 support • Mac OS X Mountain Lion 10.8 support • General performance and stability improvements What's new in DaVinci Resolve Lite 8.2.1 beta 3 // 18/05/2012 • FCP X support for XMLs with multi-cam and compound clips • RedGamma3 and RedColor3 support for R3D files • RED HDRx Magic Motion support • Sony F65 Raw options for S-Log, P3, Rec.709, 2.4 and 2.6 gamma • CinemaDNG options for Rec.709, 2.4 and 2.6 gamma, color temperature and ISO • Mac OS X Lion 10.7.4 support • General performance and stability improvements What's new in DaVinci Resolve Lite 8.2.1 beta 2 • FCP X support for XMLs with multi-cam and compound clips • RedGamma3 and RedColor3 support for R3D files • RED HDRx Magic Motion support • Sony F65 Raw options for S-Log, P3, Rec.709, 2.4 and 2.6 gamma • CinemaDNG options for Rec.709, 2.4 and 2.6 gamma, color temperature and ISO • Mac OS X Lion 10.7.4 support • General performance and stability improvements What's new in DaVinci Resolve 8.2.1 beta 1 • FCP X support for XMLs with multi-cam and compound clips • RedGamma3 and RedColor3 support for R3D files • RED HDRx Magic Motion support • Sony F65 Raw options for S-Log, P3, Rec.709, 2.4 and 2.6 gamma • CinemaDNG options for Rec.709, 2.4 and 2.6 gamma, color temperature and ISO • General performance and stability improvements What's new in DaVinci Resolve 8.2 • XML 1.1 support for DaVinci Resolve to read Final Cut Pro X color, sizing, opacity and composite mode settings • Canon C300 support • Sony F65 Raw support • Sony SStP encoding • GoPro camera MP4 file decoding • Support for Tangent Element panels • General performance and stability improvements What's new in DaVinci Resolve 8.1.1 • DNxHD read and write support built-in • PowerGrade library efects included with right-click import on PowerGrade tab • General performance and stability improvements What's new in DaVinci Resolve 8.1 • FCPX XML round trip support for: • Frame accurate cuts • Dissolves • Speed changed events • UltraStudio 3D support using ThunderBolt™ • ACES Colorspace support • Shaper LUT support • Avid AAF export for simplified AMA round trip with handles • Avid AAF import support for: • Dip to color • Edge Wipe with border • Center Wipe with border • Clock Wipe • Venetian Blind Wipe • Cross, Oval and Diamond Iris Wipe • Sizing Efect with PTZR • Overlay Composite • Final Cut Pro 7 XML clip by clip selectable import of image sizing data • Option to ignore file extension when conforming using AAF or XML • Hover over node to reveal list of changed items • Drag and drop new node over connector link to auto connect • HDR source icon in Color page timeline thumbnails • Layer node composite efects • Clip based Auto/Video/Data level selection • Timeline based Auto/Video/Data level render selection • Load EDL to new track in existing session • Save EDL of missing clips • Display source timecode option in conform timeline viewer • Copy and paste clip keyboard shortcuts in conform timeline • Copy and paste node metadata between nodes including dynamics • Interpolation of Custom curves and HSL curves within dynamics • Option to save user defined User Default Config • Additional Pixel Aspect Ratio Option for DVCPRO HD • Support for Early 2011 MacBook Pro 15" with 1680x1050 display • General performance and stability improvements What's new in DaVinci Resolve 8.0.1 • 3-way color wheels • Mac OS X 10.7 Lion Support • Slider adjustment and reset improvements • Color picker support for Custom Curves • User configurable user zoom control • ASC CDL export in ALE format • Improvements to software decode of Red files with RMD sidecar • General performance and stability improvements What's new in DaVinci Resolve 8.0 • Multi-track timeline support • FCP7 XML5 Import and Export • Multiple Layer Image Compositing • Extensive composite and transitions support • Drag and Drop clip editing • AAF multi-layer import • Avid 1:1 10-bit MXF YUV decode support • Avid 1:1 10-bit MXF RGB decode and encode support • General Avid MXF rendering improvements including render with project name • Real time noise reduction for CUDA GPUs • OpenCL GPU support for ATI GPUs • Curve grading • RGB Mixer grading • Automatic stabilization of shots • Automatic Stereoscopic 3D Image Alignment • Real time ingest, output and Power Mastering to tape of Stereoscopic 3D images • Full resolution Stereoscopic 3D Monitoring using Decklink 3D • Stereoscopic 3D Monitoring Mode enhancements • Stereoscopic 3D Wipe for UI and Waveform • Expanded Custom Curves data range • Ability to use Y/R/G/B channels individually as mattes • Enhanced source clip render options • Power Mastering now always enabled • Next scene switch priority option • Ability to append color grade nodes from stills to the node graph • Ability to add a node prior to the current node in the What's new in DaVinci Resolve 7.1.2 • Real time RED Epic camera file support • General performance and stability improvements What's new in DaVinci Resolve 7.1.1 • General performance and stability improvements What's new in DaVinci Resolve 7.1 • Clustered GPU support • PCIe Expander support • Additional Tangent Devices Wave menus • JL Cooper Eclipse CX panel support • Native ProRes read and write support without installing FCP • XDCAM in QT wrapper read and write support • Alexa ARRI RAW read support • Phantom .cine read support • OpenEXR read and write support for uncompressed and compressed EXR • Sony MPEG4 SStP read support for network file transfer • Faster GPU debayering for CineForm mov files for improved 3D playback performance • New Stereoscopic 3D tools including timeline slip to sync left and right eye, auto left and right color matching, Pitch and Yaw keystone control, side-by-side and line-by-line render • Drop frame timecode support • 720p50 and 720p60 conform • 1080P/50, 59.94 and 60 monitoring • Automatic multi-project ColorTrace to transfer digital daily grades • REDcolor2 and Adobe 1998 color space and REDgamma2 gamma space support for RED clips • Automatic camera metadata support for HFlip and VFlip for RED clips • Ganged adjustment of RED metadata for RED clips • RED metadata now saved in stills for simple copy and paste • RED clips always listed at full resolution irrespective of decode mode • Improved 4K RED file decoding and 4K DPX handling • Ability to HFlip and VFlip shots in the media pool • Hotkey for Highlight control • Clip count display on the Color page Primary tab • Session duration display on the Conform page • New Slate option to display source clip name • New feature to enable/disable all nodes using the Resolve Control What's new in DaVinci Resolve 7.0.3 • Added new image handling for YUV clips in video range to allow colorists to pull back details from sub-black and super-whites • Added new keyboard shortcuts for grab and recall of memories • Added the select still and select memory function when the mouse is middle-clicked on the still or memory • Added functionality to extract long reel numbers from Autodesk EDLs • Added real number extraction pattern %_R to extract reel numbers and strip out the underscore • Improved Pro Res 4444 playback speed consistency • Improved display for Unicode characters in filenames • General performance and stability improvements Code: Thank You "Blackmagic Design" for the improvements and Efforts
